Enthinennariyilla Lyrics from My Boss (mollywood) (2012). This song is composed by east coast vijayan. This song is composed by east coast vijayan. My Boss (mollywood) movie stars dileep, mamta mohandas, mukesh, saikumar, seetha and the songs were released in 2012.
East Coast Vijayan- the name is synonymous with the romantic audio albums and music video industry in Kerala. Sounds boastful? Howelse would you refer to the person who introuced the non-film songs culture in Kerala, made 'Mappilappattukal' of northern Kerala a household phenomenon through his music videos and captured the minds of generation through his lyrics in the romantic series, Ninakkai, Aadyamai, Ormakkai, Swantham, Iniennum and Ennennum.
But, apparently that's not all. He launched several talented people, artistes and technicians through his various ventures and set standard in the quality of producing and directing stage shows. Strangely, his first movie NOVEL which had a fine performance by Jayaram and a strong story line, generated more interest outside the theatres than inside. 'Unfortunately for my detractors, whenever and wherever I have met with any failures or opposition, I have never backed off.
On the countrary, it only helps to toughen my resolve to succeed', says Vijayan.
Kerala Music and Drama Academy, ThrissurThe music of has a long and rich history. It is not the same as Malayalam although most of it is poetry driven. Kerala has a rich tradition in. Formed a major part of early, which traces its origin to the 9th century. The significance of music in the can be established just by the fact that in Malayalam language, musical was developed long before. With the development of music in the region, different branches were formed out of it. The most basic branches are which is primarily Carnatic music oriented, and which includes and album songs.
This section needs expansion. You can help. ( January 2009)The earliest written record of is the Edakal - 5 inscription (ca. 4th Century CE). The early literature of Malayalam comprised three types of composition:. Classical songs known as Naadan Paattu. of the tradition, which permitted a generous interspersing of Sanskrit with Malayalam.
The folk song rich in native elementsMalayalam poetry to the late 20th century CE It is very unuseful data. Varying degrees of the fusion of the three different strands. The oldest examples of Pattu and, are Ramacharitam and Vaishikatantram, both of the twelfth century.Classical music is musically known for Sopana Sangeetham. Sopana Sangeetham is a form of classical music that originated in the temples of Kerala. Sopanam is religious in nature, and developed through singing invocatory songs at the of, and later inside temples. Sopanam came to prominence in the wake of the increasing popularity of 's.
Sopana sangeetham (music), as the very name suggests, is sung by the side of the holy steps (sopanam) leading to the of a. It is sung, typically employing plain notes, to the accompaniment of the small, hourglass-shaped ethnic drum called, besides the chengila or the handy metallic gong to sound the beats. Sopanam is traditionally sung by men of the and community, who are (semi-Brahmin) castes engaged to do it as their hereditary profession. Some famous sopanam singers are, Janardhanan Nedungadi and Damodara Marar.Kerala is also home of.
Legends like, K.G Jayan (Jayavijaya), Vidwan Gopala Pillai, Chertala Gopalan Nair, are renowned musical exponents from Kerala. Among the younger generation, child prodigy violin wizard and Carnatic vocalist have made their musical impact in the international arena, thus keeping the regal tradition of Carnatic music alive.Kerala also has a significant presence of as well.
The king of Travancore, patronaged and contributed much to the Hindustani Music.Popular music of had a linear development along with of the region, till the branches separated. The popular music in Kerala is enriched by its highly developed branch.
Other forms of popular music include, and.Kathakali Music. Main article:The language of the songs used for Kathakali is, a mixture of. Even though most of the songs are set in ragas based on the microtone-heavy Carnatic music, there is a distinct style of plain-note rendition, which is known as the style. This typically Kerala style of rendition takes its roots from the temple songs which used to be sung (continues even now at several temples) at the time when Kathakali was born.The foremost artist was Kalamandalam Krishnan Nair.
Kalamandalam at Vallathol Nagar, near Shornur,Trissur in Kerala is an important training center for this art. Since Kathakali is essentially a temple art one of the greatest ever Kathakali singer, Hyderali, who was a Muslim, had to face stiff resistance which eventually was swept away by the immense force of popularity. But Hyderali softened the original Asura nature of the art. Kalamandalam Gangadharan, who remains the last exponent of the original tradition has almost retired from the scene.
Kathakali was so entertaining.Malayalam film music , which refers to in the context of, forms the most important canon of in India. The film music of Kerala in particular is the most popular form of music in the state. Before Malayalam cinema and Malayalam film music developed, the eagerly followed and film songs, and that habit has stayed with them till now.
The history of Malayalam film songs begins with the 1948 film Nirmala which was produced by Artist P.J. Cherian who introduced play-back singing for the first time in the film. The film's music composer was P. Divakar, and the songs were sung by, T.
Govinda Rao, Vasudeva Kurup, C. Raghavan, Sarojini Menon and Vimala B. Varma, who is credited as the first playback singer of Malayalam cinema.The main trend in the early years was to use the tune of hit Hindi or Tamil songs in Malayalam songs.
This trend changed in the early 1950s with the arrival of a number of poets and musicians to the Malayalam music scene. But by the mid of 1950s, Malayalam Film Music Industry started finding its own identity and this reformation was led by the music directors Brother Laxmanan, and along with the lyricists,. Major playback singers of that time were, P.
Leela, Santha P. Despite that, these singers got high popularity throughout Kerala and were part of the Golden age of Malayalam music (1960 to 1970). In the later years many non-Malayalis like, Hemalata and sang for Malayalam films. This trend was also found among to an extent, with film composers from other languages including, and scoring music for Malayalam films. This can be attributed to the fact that film music in had a parallel growth pattern with so many instances of cross-industry contributions.
The late 1950s through mid 1970s can be considered as the golden period of Malayalam film music in its own identity. Along with the leading music directors, likes of, Pukezhenty Vellappan Nair, and lyricists like, and Bharanikkavu Sivakumar, numerous everlasting and super hit songs were delivered to the music lovers. The soft melodious music and high quality lyrics were the highlights of these songs., who debuted in 1961, and virtually revolutionised the Malayalam film music industry and became the most popular Malayalam singer ever along with K.S.
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Chitra., and trio also made unforgettable songs like the earlier trio of Kamukara, Tirunainaarkurichy & Brother Laxmanan. Yesudas became equally popular with classical music audience and people who patronised film music.
He along with gave a major facelift to Malayalam playback singing in the 1960s and 1970s., who debuted in 1979.By the mid-eighties, she became the most sought after female singer in.By Late 1970s, the trends in music started changing and more rhythm oriented songs with western touch came with the dominance of music directors like, K. The lyricists were forced to write lyrics according to the tune in these days and were often criticized for quality issues. But from 1979–80, the revolutionary music director along with and lead the second reformation of Malayalam film music by creating melodious and classical oriented music with the soul of culture of Kerala.
Lyricists like, and in 1980s and, in 1990s were part of this musical success. Contributions from, Vidyadharan, Raghukumar and were also notable in this period. Along with and and singers like, and were also active then. A notable aspect in the later years was the extensive of classical in many film songs of the 1980s and 1990s, classical carnatic music was heavily used in films like (1988), (1990), (1991), (1992) and Sopanam (1993).
At present, the major players in the scene are young composers like, Alphonse, lyricists, and Anil Panachooran, and singers, and, along with stalwarts in the field.Young composers like, and are not only known for their catchy tunes, but also known for bringing in a lot of electronics, digital sound and a variety of genres in Malayalam film scores and songs.The of Malayalam cinema are (1994, 1995), (1995), (2008), (2010), Issac Thomas Kottukapally (2011) and (2012). Till 2009, the 1995 National Award that Johnson received for the of Sukrutham (1994) was the only instance in the history of the award in which the awardee composed the rather than its. He shared that award with Bombay Ravi, who received the award for composing songs for the same film. In 2010 and 2011, awards were given to film score and both were won by Malayalam films: Pazhassi Raja (2010; Score: Ilaiyaraaja) and Adaminte Makan Abu (2011; Score: Issak Thomas Kottakapally). Also received a in 1992 for composing songs for the film.
The are (1973), (1989) and (2001). The are (1972, 1973, 1987, 1991, 1993, 2017), (1986) and (1991, 2000).
Yesudas has won two more National Awards for singing in (1977) and (1983) films, which makes him the person who has won the most with seven awards. The are (1981) and (1987, 1989).
Chitra had also won the award for Tamil (1986, 1997, 2005) and Hindi (1998) film songs, which makes her the person with the most with six awards.Mappila Pattu. Main article:The region of the state, with a large population had developed a signature music stream based on the Hindustani style. The stream consists of a variety of forms like and mappila pattu, and also music for authentic Muslim dance forms such as oppana and kol kali. The poetry forms a main part of this stream of music, which is primarily in Malayalam with the use of words in between which is known as arabimalayalam. Mappila songs have a charm of their own as their tunes sound a mix of the ethos and culture of Kerala as well as West Asia. They deal with diverse themes such as religion, love, satire and heroism.Knanaya Folk Songs.
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Palm Leaf Relics of Knanaya Folk SongsThe, an ethnic group found among the, maintain folk songs that are ancient in origins and were first written down in the year 1910 by the Knanaya scholar P.U Luke in his text Puratana Pattukal or Ancient Songs. The origins of the songs themselves are unknown but were collected by Luke from Knanaya families who kept palm leaf relics which contained the text of these songs.
The songs were written in Old Malayalam but contain diction from Sanskrit, Syriac, and Tamil indicating their antiquity. Analytically, these ancient songs contain folklore about the faith, customs and practices of the community, narratives of historical events (such as the mission of St. Thomas the Apostle and the immigration of the Knanaya to India), biblical stories, songs of churches, and the lives of saints.
The songs are poetic in nature and are considered treasures in Kerala's cultural heritage. Scholars have also found that the songs of the Knanaya are of a similar composure, linguistics, and characteristic to that of the Cochin Jews and that some songs even have almost the same lyrics with the exception of a few words or stanzas.Ottamthullal Songs. Main article:Ottamthullal songs are meant for the performance of the artform called Ottamthullal. The Ottamthullal artist has to sing and dance to his music. Unlike in the case of, the language is not heavy sanskritized Malayalam and the lyrics are set to rhythms that range from simple to rare and complicated.ottamthullal was usually played in temples.Malayalam Pop music Pop music in Kerala, developed in the later half of the 1990s with the entry of East Coast Vijayan and his music company East Coast Audios. East Coast Vijayan can be regarded as the pioneer of non-film pop album songs in Kerala.
Being a poet himself, Vijayan penned down the first non-film music album in Malayalam Ninakkai, which was released in 1998. The music was given by and the song ' Ninakkay Thozhi Punarjanikkam' sung by Biju Narayanan became a big hit. In 1999, Vijayan came up with his second album in 'Ninakkai' series named Aadhyamai, composed by Balabhaskar and penned by Vijayan himself. The song ' Iniyarkkum Arodum' sung by became another hit. In 2001, East Coast came up with Ormakkai which is widely regarded as the biggest hit in the history of Malayalam Pop Music. The song ' Ormakkai Iniyoru Snehageetham' from the album, composed by, penned down by Vijayan and sung by and is widely regarded as an all time classic hit.Meanwhile Pop albums had caught up the imagination of college campuses and more talents started to come up with music albums. One of such early albums that had become a rage with the youth of that time was Valentine's Day.
The song ' Niranja Mizhiyum' from the album composed by Isaac Thomas Kottukappally and penned down by had become a big hit in college campuses. Audio companies other than East Coast started to come up with Music Albums. Front runners among them were Johny Sagarika, Satyam Audios, Magnum audios and Octave audios. As a result Pop music culture grew in Kerala. In 2006, Satyam audios came up with superhit album which saw the rise of a new singing sensation Franco and a talented composer Shyam Dharman.
The songs ' Sundariye Vaa' and ' Chembakame' were record breaking hits. The Same year Shaan rahman with Siju Sivan and Deepu Skaria formed a new band named 'DESINOISE' which launched the album 'Revolution'. The songs 'Aasha nirashaa' and 'Oo NIlaave' of the album was noted widely for its music and the variety in picturization.In 2008, Johny Sagarika came up with the album Mohamand the song ' Kudajadriyil' sung by Swarnalatha and composed by Mansoor Ahmed became a big hit.
Meanwhile Mallu pop saw a new trend that was the rise of boy bands.One of the first notable boy band was Confusion of and their song ' No Tension Please' was a hit. Year 2007 saw the coming of a new band Team Malayalee which rocked the Malayalam album industry. Team Malayalee consisted of four talented musicians, Jakes Bijoy, Shaan Rahman and Arjun Sasi. The songs ' Friends 4 ever' and ' Minnalazhake' from the album Malayalee was big hit. In 2008, and Shaan Rahman again teamed up to bring out an album Coffee @ MG Road which became another smashing hit. The song ' Palavattom' which featured Malayalam actor is widely regarded as an all time hit.
Year 2009 saw the rise of another boy band YUVA which created waves with debut album Dreamzzz. YUVA consisted for three talented young musicians Vineeth Mohandas, Santhosh Kumar and Sinu Zachariah and they brought some fresh air of good melodies to the Malayalam music industry at a time when the industry was stuck up imitating Tamil, Hindi and Western songs.
Their debut video song ' Ravin Nilakayalil' was a huge hit and was a chart topper throughout the year 2009. In 2010 they came up with their second music video ' Povukayano' sung by Vidhu Pratap which again was popular among youths. In 2010, another boy band named Arrows was formed which included reality music show Asianet's Idea Star Singer sensations Arun Gopan, Roshan N.C., William Isaac and Sudarshan Achary. After a gap of 6 years, East Coast came up with their 6th album in Ninakkai series, a very ambitious project Ennennum. The album was released in 5 languages in India with 60 songs involving 30 leading singers in the country. This magnum opus album was composed by Vijay Karun and penned down by East Coast Vijayan.
It can be regarded as the first big budget music album of Kerala. Talented young composers like Rashee (Alone, Loved and Lost), Dijo Jose Antony (La Cochin), Nithin (Autograph), Mithun Raj(Violet)have also created their marks in the Malayalam album industry.
In 2012, global music label entered Malayalam music industry with the album launching musicians Saachin and Sreejith. The album's first song Nenjodu Cherthu crossed 1,50,000 views on within 3 days of its release, making it the first major Malayalam without negative publicity. The last two decades witnessed a true and revolutionary comeback. Through Thaikudam Bridge and Praseetha, this movement based on folk traditions is reaching a visible form. The folk revival movement started seriously by Kavalam Narayana Panicker was practically developed by Kalabhavan Mani but the real support from teenagers came up quite lately.Pulluvan Pattu. Main article:The of Kerala are closely connected to the serpent worship.
One group among these people consider the snake gods as their presiding deity and perform certain sacrifices and sing songs. This is called Pulluvan Pattu. This is performed in the houses of the lower castes as well as those of the higher castes, in addition to serpent temples.The song conducted by the pulluvar in serpent temples and snake groves is called Sarppapaattu, Naagam Paattu, Sarppolsavam, Paambum Thullal or Paambum Kalam. The main aspects of this are Kalamezhuthu (Drawing of Kalam, a ritual art by itself), song and dance.Temple Music In Kerala, several forms of music have grown associated with festivals and ceremonies of temples. There are and, two major ensemble performances using and accompanied by (cymbals),. Then there is - a form in which one or a few chenda players perform improvised solos with a few more chenda and ilathalam players. Along with these there are and which are music accompanying rituals.
There is also, an orchestra of five instruments -, and.References. Sreedhara Menon, A. Kerala Charithram. Kottayam, Kerala: D.C.
P. 494. Rolf, Killius (2006). Ritual Music and Hindu Rituals of Kerala. New Delhi: BR Rhythms. Rolf, Killius (2006). Ritual Music and Hindu Rituals of Kerala. New Delhi: BR Rhythms.
Archived from on 2 August 2008. Retrieved 2 January 2009. Archived from on 2 August 2008. Retrieved 2 January 2009. K. Pradeep (25 April 2008). Chennai, India: The Hindu.
Retrieved 2 January 2009. ^ Jason Kaitholil. AMMA (Malayalamcinema.com). Archived from on 29 August 2012. Retrieved 2 January 2009. Chennai Online. Retrieved 2 January 2009.
2013-01-28 at. Retrieved on 2013-07-29., pp. 75-81. 2010-02-10 at the. The Times Of India. 3 April 2012.
The Times Of India. 6 April 2012.External links Wikimedia Commons has media related to.